Sitting among carved mahogany wood-paneled accents and with displayed awards gathered from an unrivaled multi-hyphenate career, Master P began our conversation by allowing me to take the floor. Not surprisingly, he is a master delegator with a brilliant sense of when to shoot the ball and when to pass it. One of the greatest minds to emerge from the 1990s hip-hop pantheon, Percy “Master P” Miller transcended a childhood of poverty in New Orleans’ Calliope Projects to become a beacon of generational wealth, diversified business interests, and ownership in an industry once notorious for exploiting its artists. From music, movies, and real estate to the food and automotive industries, Master P’s portfolio continues to grow.
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A true gentleman who prefers to remain above the fray of controversy and relishes sharing the spotlight with those around him, Master P’s example and mentorship has guided artists from Snoop Dogg, Lil’ Wayne, and 2 Chainz, to his eldest son—rapper, actor, and entrepreneur, Romeo Miller. Master P understood the power of ownership long before Instagram and the age of celebrity branding.
Romeo credits his father’s example as the driving force in his own life. “Growing up watching one of the best and most powerful businessmen to ever do it guided me to be the man I am today,” Romeo told me. And his father’s lessons went well beyond material success. “The biggest lesson I learned from him was to simply be a good person. Owning a business and brand doesn’t matter if you aren’t giving back.”
Master P’s latest project is the film, “#Unknown,” a creative collaboration with Romeo, who serves as his co-executive producer, and the film’s producer, writer, and director, LazRael Lison. LazRael describes the film as “a mystery thriller that gets pretty intense.”
Master P plays the mayor of a town in a string of alleged unsolved murders. Meanwhile, a local novelist abandons his second book to attempt to solve the mystery of these crimes, his own life unraveling in the process.
When it comes to directing the man who is used to calling the shots, LazRael sings his praises. “Master P went over and beyond,” LazRael recalls. “It’s always so cool when you can see the executive producer also be a student.”
LazRael also notes his admiration for Master P as a businessman. “He wears so many hats and that requires flexibility. As a director I’m always flexible in a sense that I can write it on paper, but when you give a soul to that character, it’s all you,” he explains. “Watching P bring [this role] to life, when people see him, they’ll think, ‘Wow, I really enjoyed that!’”
I really enjoyed my time with Master P as well. Read on – you will too…
What are the top things that have shaped the person you are today?
I would first say God, my kids, my family, and just being able to be blessed.
Is there anything in your life that was a turning point, something that completely transformed you?
I started realizing that we don’t have to dwell on our past, that it’s OK to move forward; it’s OK to better yourself. It’s OK to have faith. Nobody is perfect. That’s what it was for me. I feel like once I started having kids, I realized I have more to live for and I wanted to be around to watch them grow up, so I had to start making the right choices.
And I want other people to say, “If P can do it, I can do it. It’s OK to better yourself.” One thing my grandfather always told me was, “If you want to better yourself and you want to live longer, mind your business and stay out of other people’s business.”
Growing up where you did, what gave you the power of belief you could become everything you ultimately became?
It was my grandfather, but it was also knowing if you don’t have anything, you can still make the best out of what you have. I think a lot of people don’t realize that just having life—even through this pandemic—you never know when somebody is going to walk out that door and you’re never going to see them again.
When you live in poverty, you know the only way is up. That’s what pushed me and motivated me, and I think we shouldn’t want to be around people who hold us back. Even in poverty, I started realizing that if I’m going to be successful, I have to cut the negative people around me off.
Everybody has 24 hours. A lot of people are mad at other people and judging what other people have. That hate ends up being more important than the positive. It becomes more important than you making it out or bettering yourself. So, I started celebrating people. When I was living in poverty, I started looking at other people who had a nice car or a nice house, and I started being happy for them. When you can be happy for somebody else’s success, blessings will start coming to you.
Everybody wants to get to the bag, but you are never going to get to the bag being negative, envious, and jealous. Pride took the devil out of heaven, and he took three-fourths of the angels with him. We have to stop that pride; put that to the side and say, “Let me invest my time into something positive, and into me being a better person.”
You started off as a basketball player. Was music your Plan B?
I was good at music, but I didn’t know I was that good until I actually got into it when I got [injured]. You might think you’re going in one direction, but God will put you in another direction. When I got hurt playing basketball in college, I felt like I had failed everybody in my family. I was supposed to go to the pros, and I’m thinking I’m on my way and I’m about to take care of my family and get them out of the ghetto. But then I got hurt.
I always tell people, let your failures take you to the next level and let your failures make you great. I remember my grandfather saying, “Look, son, don’t sit around here and just keep worrying about what happened. You gotta go make something else happen.”
I had to find something else that I loved, and God opened up a bigger door. Most of my friends that played basketball at the time I played didn’t make that much money in the NBA, and what I was able to do [with music] was just unheard of. And I could have easily just been in the music business, but I went to college and educated myself. Without the right education, I don’t think my mindset would have been the way it is today, and the way I was thinking about business.
Everybody I asked about you said the same thing—that you were never owned by a record label; you’ve always owned your own music. Was that also part of the plan?
It happened with my grandfather. He was in the war, and when he came back home, they were supposed to give him $10,000 to buy a house, and they never gave it to him. He always said, “Grandson, you need to start your own business. Start your own army.”
That’s where No Limit [the name of Master P’s record label and production company] came from. My grandfather instilled that in me: “You’re not going to make it in their system. We have to create our own.”
I always went against the grain. I knew I couldn’t just work for a paycheck, because I was living in the projects with 16 people in a three-bedroom apartment. I had so many people and so many mouths to feed, and I couldn’t do that with a regular paycheck. I had to own it, and I’ve always kept that mentality, to where, when you look at African-Americans and Latinos, we don’t own anything.
My mindset was to change that narrative, to be able to own my own masters, to be able to build other executives. That’s where education and knowledge come in. We search and seek and pray for money, but we don’t search and seek and pray for knowledge and information. That’s what’s going to get us to our destiny.
Yes! I love that you said that. I pray every night with my son, and we never ask for things. We say, “thank you,” and we pray for wisdom, knowledge, clarity, health, and so on. Gratitude is what attracts things to you.
When you bless others, blessings will come. My most important job is to be a servant. It’s not about being a boss. It’s about being a servant and being able to serve my community—to serve underprivileged kids, to serve the elderly, and to educate the next generation.
Early on in your music career, you were Tupac Shakur’s opening act. What was that like?
It was crazy, because everyone was there to see Tupac. They didn’t care about me (laugh). I was happy to have just one person [in the crowd] jump up. One guy was just going crazy for me in the audience. And being on the road with Tupac, I said, “I’m going to turn that one fan into millions.” To then be able to sell 100 million records is just incredible.[You have to] believe in something—and you don’t have to be the best because I wasn’t the best at first—I had to get into the studio and work hard. I was living on the West Coast, and I had this Southern slur in how I talked, so I had to become better. They say the best way to do that is to stay in the gym, which was the studio. I wasn’t afraid to outwork everybody. I outworked those guys. While Tupac and all those guys were partying, playing, and just having fun on the road, I was in the studio working. I said, “While they sleep, I’m going to be working.”
What did Tupac think of your music?
At first, he didn’t understand it. Then, as we were getting into some of the southern markets, they started seeing how people were gravitating to my music. They started listening and saying, “This is alright.” In the end, Tupac really started liking my music, and that was a blessing, because he was the biggest star in the world of hip-hop at the time. To have him jamming to my music, I knew I was on my way.
Another one of Master P’s unique initiatives is the backing of Trion SuperCar, which he’s dubbed “the first Black-owned supercar manufacturer in America.” He credits the soon-to-be-launched car company with “adding diversity to the automotive industry, which will offer a high-end line of models and a line of affordable luxury vehicles.”
What do you think you came into this life as Percy Robert Miller to learn, and what do you think you came here to teach?
I came into this world to be a student of the world. I’m constantly learning every day and getting better, and I also realize I came into this world to be a father to my kids. When I use the word “father,” it’s different from being a daddy. I have a lifetime commitment to my kids, and as a single dad you have to stay focused on your kids. My kids mean everything to me.
What is your philosophy for raising nine (wow!) happy, well-adjusted kids?
You have to deal with [each kid] as their own individual. Some kids you have to scream at, some kids you have to talk to softly, and some kids you have to take them to the side and nourish them.
I think basketball prepared me to be a father. When you are on the court with certain people, it’s all these different personalities, and it’s the same way with raising kids. Some kids want a lot of your attention, and some kids want to go off and do their own thing, so you have to know that and be prepared to sacrifice.
My life is not about me anymore. I’ll do anything for them, and I think a lot of parents are not prepared for that. They still want to go off and live their best lives, but if you have kids, you don’t get a chance to do that anymore.
What is still on your bucket list?
Being able to put together a superhero movie that is owned by us and not by Hollywood. When you look at “Black Panther”—that movie made more than a billion dollars—but it wasn’t owned by us. It looked like us. I want to change that narrative. That is a real bucket list item of mine.
You don’t think the success of “Black Panther” made big budget, studio-backed movies with an all-Black cast that much more marketable and in-demand?
See, but think about this, right… after the movie was over, we went back home, and nobody really benefited. Chadwick Boseman, his salary was $500,000, and he ended up making maybe $2-$3 million from a billion-dollar movie. Robert Downey Jr. makes $70 million when he does “Iron Man,” and [“Black Panther”] was way bigger. I’m just saying, to be able to put money back into our culture and into our community off of our own work, I think that is a game-changer.
Your hand is in so many different things these days, and your movie “#Unknown” premiered on Amazon in early October. What is it about acting that appeals to you?
When you get to a certain level, you want to bring projects to life. For me, it is almost like being two different people. I can go be a businessman on this side and come back and utilize my acting skills and my fan base, and just feed them. It’s connecting to the audience and letting people see me in different ways. In this movie I play the mayor, and it’s a suspense thriller. It’s about being able to let people see me in different ways.
In my next movies, I want to go beyond what you think you would see me doing in a movie. I’m even thinking about, like how Arnold Schwarzenegger played his role in “Kindergarten Cop.” I want to do a movie like that, set in an elementary school, playing a teacher or a principal. It’s fun to be able to portray other people and bring a character to life.
#Unknown, starring Master P, Judd Nelson, Tom Sizemore, Denise Boutte, and Hal Ozsan, is produced, written, and directed by LazRael Lison. The movies premieres October 1st exclusively on Amazon Prime.
Tell me about the plot of this movie.
“#Unknown” is a suspense thriller, but it’s also about a relationship and trust and faith in somebody. The main character, his girl doesn’t believe him about what is going on with all these murders that happened years ago in this town. The movie has a great plot to it, but at the same time throughout the story your mind is constantly trying to figure out what’s true, did this happen, when did it happen? It’s also about a couple trying to figure out if they can trust each other. Is this guy who he says he is? This film asks the question: In life, do you really believe in the person you are with?
And do you ever really know somebody?
Exactly, that’s what it is. That’s the unknown.
You’re used to being the boss, and on a movie set, when you are playing a character and you are working with someone like filmmaker LazRael Lison, who produced, wrote, and directed this film, are you good at taking direction from someone else?
It’s all about being a team player. When you are making a film, you have to know we are working together to bring something to life, so it is never about me. I learned that from playing sports—there is no “I” in team.
We had a great group of people, and everybody was professional, and everybody did their job. When I get on a movie set it is not about me being a boss or an executive producer. If I’m an actor, I have to play my role and you have to let the director play his role, and everybody else in the cast has to play their role if we are going to win.
To be a good teacher, you have to be a good student. I’m constantly learning how to get better. I know I’m on my way to doing some great things and bringing some great projects to life. I want to keep getting better and you have to put in the work.
Even when you look at somebody like a Samuel Jackson, he didn’t get stronger in his game until he was older. This is about growing for me. I don’t compare this to my music or my business or anything else I’ve done. I take acting seriously, because I want to constantly keep growing and getting better.
Listen to the full conversation with Master P and filmmaker, LazRael Lison, on the Allison Interviews Podcast on Apple Podcasts and Spotify. Follow Allison Kugel on Instagram @TheAllisonKugel and at AllisonInterviews.com.
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